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Biography

Nadia Meflah’s career is rooted in an early passion for critical analysis, film education, and cinematic mediation. A film critic since the late 1990s and an active member of the French Film Critics Syndicate as well as the International Federation of Film Critics (FIPRESCI), she honed her aesthetic rigor early on by joining the selection committee of the prestigious Semaine de la Critique at the Cannes Film Festival, from 2003 to 2005.

Her expertise spans the entire film industry value chain — from programming to distribution and production — through collaborations with various international companies. This global grounding comes hand in hand with a sustained commitment to championing cinema from the Global South, with particular attention to Africa and the Middle East.

Her connection to contemporary Algerian filmmaking is both deep and ongoing: she has worked to develop new talent through the Bejaia Lab and, in the past, supported the growth of our institution as a programming advisor. Her expertise has also led her to sit on the « Aide aux Cinémas du Monde » committee (CNC / Institut Français), where she championed major works such as La Dernière Reine and Roqia.

A recognized educator and respected teacher at renowned universities such as Columbia University (New York) and Grinnell College, Nadia Meflah stands out for her inclusive approach to cinema. Throughout her career, she has made a point of reaching all audiences — from international festival-goers to communities furthest removed from traditional film circuits — engaging in particular with people with disabilities, incarcerated populations, and residents of care and reception facilities.

An accomplished author as well, she has published the book Chaplin et les femmes (published by Philippe Rey) and written the documentary film Oum Kalthoum, la voix du Caire (Arte). It is the richness of this hybrid career — moving fluidly between creative work, criticism, production, programming, distribution, teaching, and grassroots engagement — that defines the scope and remarkable potential she now brings to the artistic direction of the Algiers International Film Festival.